"Caroline", 30"x 20", Oil on Linen
Name:
Phil
Boatwright
Current City: Mesquite, Texas
Website: http://www.philboatwright.com
1) When and how did you first become seriously interested in Art?
Current City: Mesquite, Texas
Website: http://www.philboatwright.com
1) When and how did you first become seriously interested in Art?
I
first became interested in art when I was a kid. My Dad was a part
time artist, so it probably started there. It's all I've ever done
and wanted to do.
2) What is your training, and what medium(s) / subject matter do you work in?
2) What is your training, and what medium(s) / subject matter do you work in?
Going
way back, I first started taking oil painting lessons at the local
art and frame shop when I was 13. I studied with Bruce Greene, the
western artist when I was in high school in the late 70's. We're from
the same home town. I majored in illustration at East Texas State
University which is now Texas A&M Commerce and was a freelance
illustrator for 13 years before I discovered commissioned portrait
painting, which I do full time now. I'm somewhat self taught, but had
the opportunity to visit with Joe Bowler on a couple of occasions. He
taught me more in
two hours
than
I had learned the previous 25 years. I work primarily in oils. Most
of my time is spent painting portraits, but recently have been doing
more of my own painting. (Landscapes, old structures, cows and
horses)
3) What do you try to express in your work?
3) What do you try to express in your work?
I
try to express or capture the essence of the subject I'm
painting.
4) What artists/professionals have been your biggest influences?
My biggest influences are Rembrandt, Velazquez, and Andrew Wyeth. Their work really moves me. The way they use abstraction and interesting surface textures to create a very realistic image is what I'm after.
4) What artists/professionals have been your biggest influences?
My biggest influences are Rembrandt, Velazquez, and Andrew Wyeth. Their work really moves me. The way they use abstraction and interesting surface textures to create a very realistic image is what I'm after.
5) What do you do to gain new inspiration for your work?
Inspiration
comes from a lot of different sources for me. I pour over art books a
lot, study hi res images of paintings I like on the internet, art
museums, even music videos and old photography. I spend way too much
time on Facebook discovering new artists I like.
6) What would you like to be doing with your art ten years from now?
6) What would you like to be doing with your art ten years from now?
In
ten years I
hope to be painting more for myself, and less commissioned portraits.
7)
Do you set goals for yourself concerning the making of your art?
The
only goal I have as far as the making of my art goes is: Strive to
make the next painting better than the one I just finished. I love to
discover new things that I think will improve my painting.
8) Are you happy with your job choice as an artist? Do you have any regrets in this career choice or things you would have done differently?
I'm very happy painting commissioned portraits. It's a great way to make a living as an artist. No regrets.
8) Are you happy with your job choice as an artist? Do you have any regrets in this career choice or things you would have done differently?
I'm very happy painting commissioned portraits. It's a great way to make a living as an artist. No regrets.
9)
Any fun or interesting facts about yourself that you'd like to share?
Years
ago I was attending a Portrait Society Conference in New York being
held at the Met. I got lost one morning in Central Park and missed
Simmie Knox's presentation on painting Bill Clinton's official
portrait for the White House. No iPhones back then.
10)
Best piece of advice for other artists?
Have
an insatiable thirst for knowledge about art and painting. That's how
you grow.
