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Showing posts with label Susan Hotard. Show all posts
Showing posts with label Susan Hotard. Show all posts

Thursday, October 2, 2014

Artist Blurbs & News - Fall 2014

2014 has been a busy and productive year for Texas artists! Our state was represented well at this year's "Art of the Portrait" conference, and those of you who got to attend said that it was a wonderfully inspiring and educational experience - possibly the best conference ever! We are already looking ahead to the next event next April in Atlanta!

Texas artists at the 2014 "Art of the Portrait" conference in
 Reston, VA  (photo credit: Delaram Mowatt)

Teresa Elliott:
"My painting "High Noon" will become part of the National Western Stock Show's permanent collection in Denver, Colorado. This will be in the Coors Western Art Exhibit & Sale, in 2015 where I will be the featured artist. If you are in Denver this coming January (2015), stop by and see my collection of new paintings."

In other news, Teresa had a solo show this past May at Insight Gallery. There were lots of red dots! Congrats to Teresa for all of the recognition!

"High Noon" by Teresa Elliott

Delaram Mowatt:

"Since I left my job as a geophysicist in the oil industry in May 2013, I made several different decisions (1) going back to university for PHD in geophysics and peruse an academic position, (2) changed mind again and decided to go back to oil industry, but after couple of interviews I found my heart is not really there. I travelled to Iran to visit my parents. My dad asked me to imagine what makes me the happiest regardless of income, and I immediately said painting. For now I made a decision to paint paint paint for a year and see if I can be successful. I have ideas for my painting subjects but I'm not sure if they will sell or if a gallery will accept my paintings. I registered ‘Delaram Fine Art’ as a DBA and made a FB page for it and now it is time to spend more time behind my easel.

About the conference 2014: It was the first time I was attending the "Art of the Portrait" conference and I had a magical time being surrounded by so many talented minds and hands and eyes... So different from those boring oil industry related conferences I used to attend!"

Delaram, that is a courageous decision but one you will not regret. Just keep painting as you said! Your fellow portrait artists are cheering you on!

Delaram Mowatt with Michael Shane Neal
at the 2014 "Art of the Portrait" conference

Connie Chadwell:

"Two of my figurative drawings are included in the upcoming book "Strokes of Genius, The Best of Drawing" and one of my ink portraits will be in the next "Art Journey: People" - both books are published by North Light Books." 

"Boxers" by Connie Chadwell

Michael Holter:

"Juror Feeling Lin selected my watercolor, "Prima 2," to receive the Holbein Award from the Southwestern Watercolor Society at the 51st Annual Show. It is a great show with many outstanding paintings. It continued through September 28 at the Eisemann Center for the Performing Arts in Richardson, TX."

"The Veil Has Been Torn," by Michael Holter

In other news, Michael won the Lehmann Memorial Award from the Transparent Watercolor Society for his portrait, "The Veil Has Been Torn", and his painting "The Circle is Unbroken" was included in the National Watercolor Society Annual Member Exhibit in San Pedro, CA.


Michael Holter with his award and
"Prima 2" at the Southwestern
Watercolor Society
51st Annual Show
Upcoming workshops with Michael Holter:

CREATING FIGURATIVE WATERCOLORS FROM PHOTOS
Workshop Dates: 10/21/2014 - 10/23/2014
Location: Plano, TX
Email michael@michaelholter.com

DEMONSTRATION OF WATERCOLOR PORTRAIT PAINTING
Irving Arts Association
Irving Center For the Arts
Irving, TX
10/28/2014

CREATING WATERCOLOR LANDSCAPES FROM PHOTOS
Workshop Dates: 11/18/2014 - 11/20/2014
Location: Plano, TX
Email michael@michaelholter.com

CREATING FIGURATIVE WATERCOLORS FROM PHOTOS
Workshop Dates: 12/1/2014 - 12/3/2014
Location:
Ada, Ok
The Center of Continuing Education
and Community Services,
East Central University
1100 E. 14th, Ada, OK 74820
580-559-5457

CREATING FIGURATIVE WATERCOLORS FROM PHOTOS
Workshop Dates: 1/28/2015 - 1/30/2015
Location: Wenmohs Ranch Workshops (Near Marble Falls, TX)
512-517-3453

Susan Hotard:

I will be teaching 2 portrait workshops this fall in historic New Orleans:

The Garden District Gallery
1332 Washington Ave. ( across the street from famous Commanders Palace restaurant)
New Orleans, Louisiana 70130
504-891-3032
2 day, Saturday/Sunday, 9 to 4
October 18/19
$250
BYOE (bring your own easel)

The New Orleans Academy of Fine Arts
5256 Magazine Street (Magazine St. is known for fun shopping and excellent cusine)
New Orleans, Louisiana 70115
504-899-8111
2 day, Saturday/ Sunday, 9 to 4\
November 15/ 16
$250

New Orleans weather is usually at its best in the fall. Enjoy the sights, historical (hysterical)locale, and fine eating!

Come join us to paint the portrait!

"Rusty," by Susan Hotard

Ann Kraft Walker:

" Jessica " received and Honorable Mention In OPA's Online Showcase

" Memories Of My Grandmother " received Best Still Life in NOAPS Spring Online Exhibition

" Psalm 149:3 Revisited " won The BoldBrush Award in July"

" Jiggy's Birds " is a finalist in Art Renewal Center

" Eileen's Lament " First Place Still Life Member's Only PSoA

Painting in shows: OPA National, OPA Western Division, Salon International, International Guild of Realism, NOAPS Best of America, Richeson 75 Figure/Portrait

"Jessica" by Ann Kraft Walker
"Jiggy's Birds" by Ann Kraft Walker

Steve Ko:
"1. Art show at Luminarte gallery - Texas Artist Show. : a couple of my recent paintings are displayed there
2. I'm currently working on the commission work - Dr. Smatresk, president of UNT"
Website: https://stevekoartstudio.com/

Brenda Hash:

"My pastel painting, "Thoughts of Elberta", won the "Pastel Society of America Award in Memory of Flora B Giffuni" at the PSA's Enduring Brilliance exhibition currently hanging at the National Arts Club in New York. In addition, it was selected from this show to travel to the Butler Institute of American Art to be on view later this year with other selected pastel artwork. An image of the artwork is attached (Thoughts of Elberta, pastel, 24 x 36). This painting was awarded a Certificate of Excellence at this year's Portrait Society of America."

"Thoughts of Elberta," by Brenda Hash

Michael Gillespie:

"I spent the month of August as Artist-in-Residence at a 5-star hotel and resort in Tuscany. While there, I taught a few painting lessons, did a lot of plein air painting, sold a couple of those, and was commissioned to do a small portrait of the child of guests from Sweden (attached). I also spent a few days in Florence where I met and visited with Matthew James Collins, Portrait Instructor at the Charles H. Cecil Academy."

"Buster" by Michael Gillespie


Debra Richardson / Gallery 702:

"There is a new gallery in Austin that just opened, Gallery 702. I am currently exhibiting with them. The link to my work is http://www.gallery702austin.com/portfolio/d-k-richardson/.
The main page for the Gallery 702 is http://www.gallery702austin.com/."

Jeannene Stricklin:

"I am an 82-year-old painter who was never taken the time to become a better painter until now. And it's because an illness has made leaving home difficult so out of boredom I paint. Over a period of 3 years time I can say I'm no longer struggling with drawing values and color mixing. I share this with you for the ones of us who think we will never get better. The secret, guys, is like anything else you have to do over and over again.
Enjoy the process and keep going!"

Jeannene Stricklin shows off some of her work
"Ben" by Jeannene Stricklin


"This pastel was accepted into the Pastel Society of the Southwest national show. Took this picture in France at a Renaissance festival. he was super cute!"

Pastel by Ellen Moore

Chris Brizzard:
"Hi everyone, my name is Chris Brizzard. I started going to Michael Mentler’s studio (TSOFA) in Dallas at the beginning of 2013 and had the privilege of studying with him for a year and a half. It was primarily because of him that I decided to apply to Studio Incamminati in Philadelphia in order to continue my training.

Classes began at the beginning of September and the curriculum is rigorous. In the full-time program (which is 4 years in total), you are basically in the studio from 9-4, Monday through Friday. The first year is called 'boot camp' by many people, and I have the sore feet to prove it. Just a preface that we are not allowed to use any measuring tools other than our eyes and we must always draw using straight lines, no curves.

On Mondays, we have structural drawing, where we analyze the human form and aim to integrate structure, anatomy and form into a unified whole. We are currently studying the torso and will later get into the head and arm/legs by the end of the term.

On Tuesdays, we have been doing copies of various Bargue plates, the purpose being not to render, but to develop accuracy in drawing angles/tilts and getting the correct proportions of the subject at hand.

On Wednesdays and Fridays, we have our figure drawing class, where we have been working on 1-minute gestures for the past three weeks which will soon grow into 5-minute gestures of light/dark masses. By the end of the term we will be getting into 20-minute gestures. This is personally my favorite class because I love the intensity of the 1-minute gestures; you have to respond immediately to what’s in front of you, with little time to think. Sometimes I get in a state of mind where I feel like I’m doing cave paintings, just very visceral and direct. (This, in addition to the approach to color, is one of the key features of the Incamminati method, for even a long painting is initially blocked in gesturally.)

5-minute sketch by Chris Brizzard
On Thursdays, we have still life drawing, which is also very demanding in that it is much more difficult than one thinks to draw boxes and elliptical shapes that are convincing.

In addition to this, we have homework assignments where we currently must copy Bridgman and Vanderpoel. We also have to draw from life 3-4 times a week (preferably everyday) and bring our sketchbooks to class every week to show our instructors.

Studio Incamminati is not just a school; it is a community of like-minded people seeking to take their craft to the next level. My feeling is that there are few places in the world today that offer this level of instruction and training."

Still life block-in, by Chris Brizzard

"My drawings "Dorothy" and "Shadows" will be part of the Richeson 75 Figure/Portrait exhibit at the Jack Richeson School of Art & Gallery in Kimberly, WI, from October 20 - December 6, 2014

My drawing "Waiting" won the Allied Artists of America Award for Graphics at the Allied Artists of America's 100th Anniversary Exhibition that was held at the Salmagundi Club in NYC, NY earlier in September."

"Dorothy" by Tanja Gant
Anna Rose Bain:

Finally, to let you know what your state ambassador has been up to... I am posting a picture of my adorable daughter, because I can... ;-) She will be 5 months old this Sunday (October 5)!
Cecelia Joyce... art baby!
My self portrait, "The Wait and the Reward," was awarded 3rd place in the June Boldbrush competition. This piece went viral on Facebook shortly after I made it public. I am so humbled and honored that it received such an overwhelming response!

"The Wait and the Reward", 30x30, oil on linen,
by Anna Rose Bain
Also, my painting, "Sharing Secrets," won 1st place in OPA Summer Online Showcase, and was a finalist in both the August Raymar and Boldbrush competitions.

"Sharing Secrets," 20x16, by Anna Rose Bain

But of course, my daughter is now my favorite model. I don't have as much time to paint anymore, but if I need some inspiration, I have her "pose" for me. :-)

"Cece at 4 months old", 10x8", by Anna Rose Bain

In other news, I am teaching two more 1-day workshops before the end of the year. Info below:

Saturday, October 18* (just a couple spots left!)
Alla Prima Oil Portraits in Color
$165/person (includes model fee)

Saturday, November 22*
Keeping it Fresh: Using Photo References
to Your Best Advantage

$150/person (no model)

*Workshop times: 9:00 AM-4:00 PM
(with one-hour lunch break from 12:00-1:00)

Email me at annarosebain@gmail.com for more information and to reserve your spot.

Thursday, November 21, 2013

Texas PSOA Members to be Part of a Group Show, Opening November 30

Submitted by Suzie Baker
Artist Suzie Baker at Third Coast Gallery, Galveston, Texas. Opening November 30, 2013

I'm Pleased to Present my work at
Third Coast Gallery, Galveston
with Fellow Artists 

Opening and Art Walk
November 30, 6-10pm

Exhibition Dates, November 30 - January 13 Like Artist Suzie Baker Exhibition Opening - November 30, Galveston on Facebook
Galveston Boat Yard, 18x14", oil on linen                                            


Test of Time, 6x9", oil on linen

Repose, 16x20", oil on linen
Sherman Lake, Maine, 12x16", oil on linen   


2413 Mechanic, Galveston, Texas  / www.thirdcoastgalleries.com / 409  974  4661
 
Copyright © 2012 Baker Art and Design Studio, All rights reserved.
 Baker Art and Designs Studio
www.suziebakerart.com
 832 316 3363

Tuesday, October 16, 2012

Member News - Fall 2012

Connie Erikson - Upcoming Exhibition

         “ Caddo Lake – A Texas Treasure”

 “Sun Warmed Treetops”
16 x 20 inch oil by Connie Erickson
Opens October 20th
Weiler House Fine Art Gallery Fort Worth

The exhibit features works in oil and pastel by artist Connie Erickson. A portion of the proceeds will be donated to The Nature Conservancy. The exhibit will run until November 17th.

Weiler House Fine Art Gallery is located at 3126 Handley Drive in Fort Worth.

For Further information please contact bill@weilerhousefineart.com

Connie Erickson is soon moving to Illinois, so this may be a last chance to purchase  a
Painting of a place she lived from 2004 – 2008: her beloved Caddo Lake. Her home was on Pine Island Pond pictured in this painting.  Please join Connie in a celebration of her time in Texas.  She would love to see the many friends she has made while she lived here.

Susan Hotard - Recent Honors

Susan had two paintings accepted into the Richeson 75 Figure/ Portrait Competition, one of which was awarded 1st Place for Oils.

Susan also had one painting accepted into Audubon Artist Inc. in New York, and currently has 3 paintings in the Times-Picayune Show at Garden District Gallery in New Orleans.



Ann Kraft Walker - Recent Honors

Ann Kraft Walker had quite an amazing year! Here are some of the highlights:
  • Finalist -  ACOPAL   " Psalm 149:3 "  
  • Finalist -  Raymar Art Contest - January    " A Velvet Gaze "
  • Exhibited - The Salon International  " My Bird " and " But Now I See "
  • Exhibited -  OPA National Juried Exhibit  " Cinderella "
  • Finalist - The Artist's Magazine 29th Annual Competition  " But Now I See '' and " The Visitor " 
  • Exhibited - International Guild of Realism  " But Now I See " and " The Visitor " 
  • Exhibited - 27th Annual Bosque Art Classic  " My Bird "
  • Finalist - Southwest Art Artistic Excellence  " The Visitor " 
  • First Place - OPA Online Showcase  " Never Fails "
  • Finalist - International Artist Magazine Challenge # 72  " But Now I See " 
  • Strokes of Genius 4  " John Lightfoot "
"Never Fails," 12x14", oil, by Ann Kraft Walker 
"Psalm 149:3", by Ann Kraft Walker
Kay Polk - Teaching Again

Submitted by Dallas artist, Kay Polk:
Dallas-based Kay Polk has started teaching classes in her home studio. Her classes are limited to 5-6 people in a class.  If anyone is interested, they should email Kay at:  studio@kpolk.com.  Her class is currently full but she will be starting more classes.  They are for students working in oil and pastel with either general or portraiture focus.  

Gay Paratore - Between Texas and Maine

Submitted by Santa Fe artist, Gay Paratore
"We got back from spending our summer in Maine to get ready for my one woman show at the Butler Longhorn Museum in League City, Texas (see photo). The next week I entered the Watercolor Art Society of Houston Membership Show and won a merchandise award and the invitation for the show had my art work featured as I had won first place last year. They are having a watercolor portrait competition  coming up soon, looking forward to that. I was in three shows in Maine and just before we left I was awarded 1st place at the Beaumont International Show. This has been a good year for me; I'm not using a cane anymore and was able to hike the trails in Acadia Park again. I will be teaching classes there for Schoodic Arts for All again next year; this will be my fourth year to do so. Ya'll come! Nearly 100 workshops the first two weeks in August!  Maine is really beautiful! If your down this way the National Society of Artists is having their National Show at Butler; I luckily got all three of my works accepted! I hope everyone has a great holiday season. Gay Paratore




Krystal Brown - Liberace Demo Recap

Submitted by Spring, TX artist, Krystal Brown:
I was able to attend the demo last week by Rob Liberace at the Woodlands Art League and it was amazing! He posed the model and painted for 3/20 minutes sessions.  During the breaks he would answer specific questions if anyone approached him to ask.  It was time well spent.  I’ve ordered books he’s recommended and have been referring back to the notes I took that night.  One of the best parts of the evening was meeting fellow artists in the area and setting goals.  I look forward to attending more of these type of events and the Art of the Portrait Annual Conference next spring in Atlanta! I’m finishing up a portrait commission and hope to update my painting blog http://mommapainter.blogspot.com/ sometime soon.  

Gene Dillard - Unique Project in Plano

Submitted by Plano, TX artist, Gene Dillard
UNIQUE PORTRAIT PROJECT IN PLANO
“DOWNTOWN FACE-TO-FACE”

During the month of December, a special exhibit will be held at the Plano Art Centre featuring artists from the Rail Station Studios and Gallery. The exhibit will spotlight works-in-progress for the “Downtown Fact-to-Face” project by Rail Station Studio portrait creators Gene Dillard and Gaby Pruitt.

The “Downtown Fact-to-Face” works-in-progress are part of a developing exhibit created by Gene and Gaby to portray a profile of personalities who make up the character of Historic Downtown Plano. Subjects include individuals ranging from city officials to shop owners and notable individuals who occupy the historic sector of Plano. A total of approximately 25 painted and photographic portraits will make up the final collection.

The “Downtown Fact-to-Face” project is a year-long endeavor that supports the efforts of the Historic Downtown Plano Association to promote the unique character of downtown. And the designated charity of the Association, The Assistance Center Collin County will be the beneficiary of the project when the collection of portraits are made available for sale at a special exhibit in the Spring.

The December exhibit will primarily feature figurative and portrait works by the studio artists, but will also include other genres.  Works included will be by Gene  and Gaby as well as participating artists Don Dillard, Don Mullins, Michael Holter and Joanna Littlefield; members of the Portrait Society of America.

Rail Station Studios and Gallery is located in Historic Downtown Plano at
1013 15th Place, Plano 75075
214-403-9171

Alix Dunn - New Work

Submitted by Houston artist, Alix Dunn:
Canal Street Gallery of Houston, Texas presents new work by Alix Dunn, "The Texas Bottomlands."

"The Texas Bottomlands" - 48x72" - oil on canvas - by Alix Dunn 
The painting won first place in the summer 2011 H.A.S. show.

Wednesday, October 19, 2011

Artist Spotlight: Susan Fleming Hotard

 Interview with our October Spotlight Artist, Susan Hotard:
1) When and how did you first become seriously interested in Art? Four years old. My parents influenced me. My father gave me art lessons when I was young. But I became a professional artist about 10 years ago.
Susan Hotard
susan@susanhotardartist.com

2) What is your training, and what medium(s) / subject matter do you work in? B.F.A. in interior design, Louisiana Tech University. Design, drafting, perspective drawing, color theory, drawing, lettering, watercolor, and rendering, and Art History. New Orleans Academy of Fine Arts, classical training. Oil mostly, still life, portraiture, figure painting: all from life. Also watercolor and pastel.

3) What do you try to express in your work? Trying to express life through painterly brushwork

4) What artists/professionals have been your biggest influences? M. Dell Weller (at New Orleans Academy of Fine Arts), Raymond Everett Kinstler, John Singer Sargent, Velazquez, Franz Hals

5) What do you do to gain new inspiration for your work?  Inspiration: looking at life, being still, thinking, praying, sometimes the ideas are gifts.

6) What would you like to be doing with your art ten years from now? I hope I am still searching, discovering, painting better, teaching my grandchildren.
7) Do you set goals for yourself concerning the making of your art? Goals: sometimes I realize that the galleries need more of my work, and will paint with that in mind. It helps to have either real or artificial deadlines. Goal: paint better and keep studying. Sometimes I set up problems: still life in cool light or in warm light for example. Helps to know that you have a solo show to paint towards! That is a real motivator!

8) Are you happy with your job choice as an artist? Do you have any regrets in this career choice or things you would have done differently? Yes, am happy with my job choice.

"Todd," by Susan Hotard
 
"Here's Looking at You Kid," by Susan Hotard

9) Any fun or interesting facts about yourself that you'd like to share? I created over a dozen Katrina cartoons in the aftermath of the storm. Had an accident when I was a toddler (around 14 mos.), my right thumb was amputated. But mostly, I can do anything I want except twiddle my thumbs. And if ever I become a famous artist, I won’t have to cut off my ear!

10) Best piece of advice for other artists?  Keep painting! Keep studying! Keep trying to learn and get better. Encourage others.

Susan's Bio and Artist's Statement:

 “Objects radiate brilliantly against dark umber backgrounds”- American Artist 2005

“an innovative style far from the placid still life”- The Advocate 2004

“astute use of light and shadow”-  The Advocate 2005

Susan Hotard had a cover story in the national magazine, American Artist, July/August
2005; and was a still life finalist in both The Artist’s Magazine, and International Artistmagazine. Her approach to painting and her palette were published in How Did You Paint That? 100 Ways to Paint Still Life and Florals 2004.

Since being honored with the highest award at the New Orleans Academy of Fine Arts in 2002, Susan has exhibited in numerous solo and group shows. She has studied painting in New York with Everett Ray Kinstler at The Art Students League, and Daniel Greene in North Salem; and has taught painting workshops and classes in portraiture, figure, and still life. She and her husband moved from New Orleans to The Woodlands, Texas in 2007. She knows what it means to miss New Orleans but was delighted that there was a vibrant art community in the North Houston area. Susan makes many trips a year to visit with her large family and close art friends that still live in the New Orleans area.

"Meca" by Susan Hotard

Artist’s Statement:
"Painting is my tool for interpreting the life our Almighty God has so wonderfully made. Whether it be portraiture, still life, or landscape, I try to record my observations of the world in a realistic, yet painterly way. Painting is a life-long journey. And I’m certainly enjoying the trip."

"Nandina with Granny Smith Apples", by Susan Hotard

Publications:
American Artist, July/August 2005 (cover story)
How Did You Paint That? 100 Ways to Paint Still Life and Florals, International Artist Publishing, January 2004
The Artist’s Magazine, Still Life Competition, Finalist, December 2005
The Times-Picayune: Artistic Expression June 19, 2006
Gulf Coast Arts and Entertainment Review, September/October 2004
The Advocate Magazine, Baton Rouge, November 2004 & December 2005 (art reviews)New Orleans Homes & Lifestyles, Spring 2002

Exhibitions/ Art Organizations/ Awards:
Audubon Artists 69th Exhibit, Allied Artists Award 2011; NYC
New Orleans Academy of Fine Arts, highest award 2002: The Gwendolyn Laan Ozols Award
New Rouge Fusion, Baton Rouge, 1st place, December 2005
The Artist’s Magazine, still life competition finalist, December 2005
International Artist Publishing, Art Prize Challenge 17, finalist, 2003
Art 11, November 2010
Garden District Gallery, Language of Flowers 2009
Garden District Gallery, Food, Glorious Food 2010
Garden District Gallery, Seeing Music 2011
Just Figures, April 2009
Richeson Small Works, March 2009; March 2010
NOAFA Academy Gallery, Invitational Drawing Exhibition, January 2009
NOAFA Academy Gallery, miniature show; November 2006, 2007, 2008, 2009, 2010 
"The Way," by Susan Hotard
NOAFA Academy Gallery, Response to Katrina, April 2006
La Nouvelle Salon, World Trade Center, New Orleans, August 2006
Mid- City Art Studios, open studios, December 2006
Crazy Eights, St. Tammany Art Association, November 2006
Galerie Eclat, New Orleans, Solo Show, May 2003
Galerie Eclat, New Orleans, Solo Show, May 2005
River Oaks Square Center, June/ July 2008 Degas Pastel Society National show, 2000, 2001, 2004
From Cezanne to Vermeer, Galerie Eclat, 2003
Modigiliani Group Show, Galerie Eclat, 2003
Junior League Show house 2002, 3 paintings
New Orleans Art Association WTC Show 2002
St. Tammany Art Association, Ashes to Art 2001
Associated Women in the Arts 2000
Art in Bloom, NOMA; 1995, 2001, 2007
Whimsie 2004, 2005, 2007, 2008, 2009, 2010, 2011
WYES Art Auction Donor
Art Organizations: Portrait Society of America, New Orleans Art Association, Louisiana
Watercolor Society, Degas Pastel Society, Pone Aliquid Contra Faciem Meam Carbone Delineabo, La Nouvelle Salon, Woodlands Art League

Contact: