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Tuesday, August 28, 2012

Artist Spotlight: Janene Pratt

Artist Janene Pratt
Janene Pratt, of Bryan, Texas, is this month's Spotlight Artist. If you would like to be in the spotlight, please email Anna at annarosebain@gmail.com to submit your information. (My apologies for not having a July Spotlight Artist - the summer got away from me!) :-)

Noteworthy news: Janene's drawing, "Pastry Class," will be featured in the drawing book: Strokes of Genius (5th edition), to be published by North Light Books in 2013.

Interview with Spotlight Artist for July/August, Janene Pratt:

1) When and how did you first become seriously interested in Art? I have  ALWAYS been interested in art. I became serious in High School and was placed in an advanced painting course.  It wasn’t really a course where I learned anything but I loved painting and my professor encouraged me to major in Art.  In College I tried to pursue my artistic passion but was caught in the middle of the “do your own thing”  era.  Many of the courses were about contemporary art and expression and I hated them.   I longed to find classical courses but they were few and far between. 


"Pastry Class," by Janene Pratt
2) What is your training, and what medium(s) / subject matter do you work in? My father, mother and sister are/were artists and I learned much from watching them.  When I finally had time to study, I took from some very fine instructors as often as I could.  I only wish I had found them earlier.  These include:  Nelson Shanks, David Leffel, Sherrie McGraw, Henry Yan and Gregg Kreutz.   I draw a lot and use charcoal and conte.  I have recently taken up pastels.  But mostly, I use oils.

3) What do you try to express in your work? I love the chiaroscuro style of Rembrandt.  So, I guess the answer would be capturing the light.  I paint and draw from life,  90 % of the time.  I also do a great deal of narrative paintings.  People seem to love them.

4) What artists/professionals have been your biggest influences? They are the same as my teachers mentioned and of course Rembrandt and Caravaggio. 

5) What do you do to gain new inspiration for your work?  I look everywhere:  books, movies ,photos and other artist’s work.  I am a photographer too and love to take photos.  Trips to Europe, Ireland, Russia and Mexico bring new inspiration.

6) What would you like to be doing with your art ten years from now? I may be barely moving but I hope to be painting.
"Study of a Back" by Janene Pratt

7) Do you set goals for yourself concerning the making of your art?  Yes,  I have really tried to work on something different each year.  One year it may be value, the next color, then edges and so on.  I try to paint or draw every day if possible and love having the opportunity to do so with live models.   I try to take at least one to two courses every year.

8) Are you happy with your job choice as an artist?  If I had to look at it that way, I would be starving. I am lucky to have other means of making ends meet.  Do you have any regrets in this career choice or things you would have done differently? No …Just wish I could have started “really" painting much earlier.

9) Any fun or interesting facts about yourself that you'd like to share? I found myself going blind and have recently been given new sight through means of a corneal transplant.  Its great to see again.  Talk about seeing the world through someone else’s eyes.  I am extremely blessed to have new sight.
"The Urban Planner" - 20x16
charcoal on paper
 by Janene Pratt

10) Best piece of advice for other artists?  Work hard and remember to not take criticism personally.  I have learned that my work is not “me”.  If you like it …great!  It is something I do, not who I am.


"The Poet," by Janene Pratt


Contact Info:
Janene Pratt
Website: http://www.janenepratt.com/
Email: janenep@suddenlink.net

Friday, June 29, 2012

Artist Spotlight: Lilibeth Andre

Lilibeth Andre of Houston, TX, is this month's Spotlight Artist. If you would like to be "in the spotlight", please email Anna at annarosebain@gmail.com to submit your information.

Artist Lilibeth Andre
Interview with our June Spotlight Artist, Lilbeth Andre:

1) When and how did you first become seriously interested in Art?
I was always interested in art. My father did drawings and caricatures, my mother was always designing new things, and my grandparents on both sides were also creative: architecture, painting, arts and crafts, and music. I remember being in pre-k, climbing on top of my dad’s drafting table, playing with his mannequin and beginning to draw figures. By the time I got to first grade in Catholic school, I did a representational crayon representation of the Virgin Mary on blue paper. My mother saved it and years later as an adult I was impressed with my sense of scale and anatomy. 

2) What is your training, and what medium(s) / subject matter do you work in?
I studied every art class I could sign up for all through school but my first painting classes were in college when I studied architectural art and painting. I’ve used watercolor, oil, colored pencils, enamel, acrylics, ink, and pastels. For the last 12 years I’ve used water-soluble oils. I also sketch in charcoal, grahite and conté. I usually use the medium that I feel best applies to the project or what is specifically required. I also received technical training at the drafting table which I later converted to CAD and computer graphics work.
3) What do you try to express in your work?
Since I work full-time I use my art to find peace and solace in the beauty of nature around me. I also like to do figure drawing, especially to represent my Mexican roots in landscapes and figures. With my portraits and figures I like to represent strength and character with internal peace. I also like a little bit of drama. I like to find that in people as I bring out their features and likeness.

4) What artists/professionals have been your biggest influences?

The work of the Mexican muralists was inspirational in their representation of social causes and cultural focus. I liked the forceful expression of their work. I also like the work of Sargent and Zorn.  A professional mentor has been my artist friend Jim Rabby from Santa Fe. He is an artist who paid his way through school with his paintings to earn a degree in economics. He brings a total business perspective to how he runs his business.

5) What do you do to gain new inspiration for your work? I don’t lack for inspiration.


5) What do you do to gain new inspiration for your work? I don’t lack for inspiration.
My challenge is to make the time to paint more. I get inspired from everything around me or find inspiration easily. Because I tend to receive too much information from my surroundings, I can get overwhelmed with excessive stimulation. One example is being in a shopping mall or a museum. I begin to get so many ideas and inspiration that I overload my hard drive and have to find a quiet place to settle my thoughts.

6) What would you like to be doing with your art ten years from now?
I would like to be retired and working as an artist full-time with time to create art for myself and for my commissions. I will strive to be more free and relaxed in my stroke.

8) Do you set goals for yourself concerning the making of your art?
Definitely. Working full-time I have always set goals for myself. This helps me better manage my time and my learning. Because I stopped painting during my married life, especially when I had kids, to keep toxics away from the home environment, I have felt I needed to catch-up for the years I wasn’t painting. Now I think I didn’t really need to take an all or nothing approach during those years but I feel comfortable that I’ve taken good advantage of my time since then. When I get an idea for a project, I am energized and want to work non-stop. I start strong and I take my time towards the end with the final phase.

9) Are you happy with your job choice as an artist? Do you have any regrets in this career choice or things you would have done differently?
Perhaps if I’d had the concept of being a professional artist early in my life I would have seen art as a career instead of a gift that was nice to have. Besides my architect grandfather, no one chose “art” as a career. Besides, having old-fashioned Mexican parents, they always thought I’d grow up to be married off to become a “kept woman” as it was in their time. Little did they know I would be the longest working of their children. With two careers to boot. 

10) Any fun or interesting facts about yourself that you'd like to share?
I would have loved to be the new Shirley McLaine but I was too shy.

11) Best piece of advice for other artists?
Paint what you want to paint. Don't talk about it, just do it.

Here are some portrait examples: http://www.lilibethandre.com/Portraits.htm



Contact info: 
Lilibeth André
Art & Design

Thursday, May 31, 2012

Texas Pride - Congrats to James Tennison!

Congratulations to Fort Worth artist, James Tennison! James won an Honor Award for his painting, "Margueritte" (40x27", oil) in the Portrait Society of America's International Competition.

Thursday, May 17, 2012

May 5 Meet-and-Greet with Kay Polk

We had a GREAT turnout on May 5 for the Kay Polk demo and member get-together in Dallas! There were just over 30 people in attendance, some even coming from as far as Austin, the Woodlands, and San Antonio. Kay's demo was fantastic; our model was a WWII veteran named Jim (so much character!), and Kay did a wonderful job explaining her process, and generously sharing her knowledge. Afterwards, members had a chance to view and critique each others' work. The fellowship and mingling continued as several stayed to have dinner and drinks at a nearby restaurant.

THANK YOU to everyone who attended (we had over 30 people!), and a HUGE thanks to the lovely Kay Polk for giving of her time and talents.

For those of you who have asked about an event happening in Houston, I have good news! Our next meet-and-greet will be in The Woodlands, some time this fall.

Meanwhile, please let your ambassador know (email Anna at annarosebain@gmail.com) if you plan on attending the Art of the Portrait conference next week in Philadelphia. We have tentatively planned for a Texas members breakfast on Friday, May 25. More details to come.



A shot of attending artists in the studio, at the Society of Figurative Arts, owned by Michael Mentler (standing in doorway). 



Kay's finished demo.



A group shot, including state ambassador Anna Rose Bain (in turquoise) and Kay Polk (next to Anna, in yellow)

Monday, April 23, 2012

Upcoming Meet-and-Greet!


What: Meet-and-Greet for Texas Members of the Portrait Society of America 

When: Saturday, May 5

Time: 2:00-5:00 p.m. (please plan on arriving a little early so that we can start the demo as soon as possible!)
         Dinner at a nearby restaurant to follow (location TBD)

            3306 Wiley Post, Studio 104 Dallas, TX

Featuring a demo in oil by Kay Polk

Please RSVP by May 1 to annarosebain@gmail.com

What to bring: Bring your portfolio and one or two recent pieces or works in progress for critique. Non-members welcome!




"Sunny" by Kay Polk, Oil

Friday, April 20, 2012

Artist Spotlight: Kay Polk

Kay Polk of Dallas, TX, is this month's Spotlight Artist. Kay will be giving a portrait demo in oil at our upcoming Meet-and-Greet here in Dallas on May 5. If you would like to be "in the spotlight," please email Anna at annarosebain@gmail.com to submit your information.


Kay Polk is an award winning portrait artist with more than thirty years of experience in portraiture and fine art.  Working out of her home studio in  Dallas, TX,  Ms. Polk is nationally known for her charming portraits of children and signature art style in the mediums of oil, pastel and charcoal.  Professional accomplishments include achieving signature status in Knickerbocker Artists NY,   The Pastel Society of America  NY,  and  The American Portrait Society.   Ms. Polk is also a past president of the Pastel Society of the Southwest and for a number of years,  had her own teaching Atelier in Dallas and Houston.  

Artist Kay Polk
At the recent May 2006 Portrait Society of America Annual Conference,  Ms. Polk’s work was chosen as one of twelve top finalists for the 2006 International Portrait Competition, held at the same time as the conference where she was then selected as the Second Place winner for the 2006 Competition. In 2002, Ms Polk was given “Special Honors” for that year’s international Competition.  Kay was honored by the American Society of Portrait Artists in 1998, as one of Ten Finalists chosen for their Annual Portrait Art Festival in Montgomery, Alabama.    Her portrait of  "Virginia", 24"x30" pastel, was awarded Second Prize in that competition.   In May 1999 and again in May 2000, she took home The Best Portfolio of the Year award at The Portrait Society of America’s Annual Conference in Washington, D.C.   

Ms. Polk is represented by two national portrait brokers: Portraits South Inc, The Portrait Source Inc. and maintains between a one and two year waiting list for her portraits. Her work is available for viewing on an appointment basis or at http://www.kpolk.com/


Interview with our April Spotlight Artist, Kay Polk:

1) When and how did you first become seriously interested in Art?
As a child.  My mother died when I was 6 yrs. old and I had an Aunt that used to care for me. She was an amateur artist and would help me paint and draw anything I liked. It became a life-long love and place of welcome and peace. I studied portrait painting through high school and college, continuing studies with individual professional artists after schooling. My "art" was just a natural part of my life and has brought me great pleasure and satisfaction.

2) What is your training, and what medium(s) / subject matter do you work in?
I studied portraiture with Dallas Portraitist, Ramon Froman in High School, then later at the University of Texas, Austin.  I did special studies with Emily Guthrie Smith PSA Hall of Fame, Ft. Worth, who became my mentor and guide. I've studied with a lot of the wonderful artists in the US, like Dan Greene, Burt Silverman, Ray Kinstler, John Sanden, George Carlson and Kevin Macpherson, and more.  I especially like working with children and family portraits but have done a wide variety of commissioned work of both "the living and dead"!  I also enjoy still life, floral, and landscape but figurative work is my favorite! I work in Oil, Pastel, drawing media and enjoy them all

3) What do you try to express in your work?
The two driving forces in my work are color and light, with a desire to capture the simple beauty in people, places and objects.

4) What artists/professionals have been your biggest influences?
A lot of my own "self-taught" artistic influences came mostly from the Impressionists as their sense of light & color rang true to my loves as well.  Artists such as Cassatt, Sargent, Zorn, Sorolla, Benson, and some of their contemporaries.

5) What do you do to gain new inspiration for your work?
 I love to stretch and try new techniques, new ways of applying paint (for me) and what some mixed media presents.  I search the books and museums for different but similar directions in artistic expression and just generally like to balance the commission work, which is 80% of my work, with about 20% of fun & experimental, even though few ever see my experimental work, it is necessary for keeping my "work" fun!

6) What would you like to be doing with your art ten years from now?
I think I would like to be experimenting even more, less dependent on portraits and trying for new avenues in art-making!  Still keeping it as fresh as possible.

7) Do you set goals for yourself concerning the making of your art?
I do!  I believe in goals. Setting of goals, both simple and short range as well as more complex and long-term, as the reason I've been able to last so long in this career.

8) Are you happy with your job choice as an artist? Do you have any regrets in this career choice or things you would have done differently?
I am happy with my choice to become a full-time professional portrait artist and studio artist as well. But it has not been easy.  I especially like the teaching and mentoring segment of my career.  As my professional experience allowed, I enjoyed sharing my knowledge and discoveries with others.  My only regret might have been to spend more time in national, top-ranked art institutions during my younger years. But I have the blessings of children, grandchildren and a diverse life....so it's not all bad the way everything turned out.  I feel very fortunate!

9) Any fun or interesting facts about yourself that you'd like to share?
Anything fun or interesting about me should probably be kept to myself!! :0)

10) Best piece of advice for other artists?
 "The World stands aside for the person who knows where they are going".  Strive to know yourself and where you want to go, then do the work!

Kay shared so many wonderful images for us to see that I decided to put them in a slideshow. Enjoy her beautiful work!


More about Kay:

RECENT ARTICLES AND BOOKS featuring Kay Polk and her work are:

 “Portrait Society of America’s Award Winners Showcase” The Art of the Portrait,  International Artist Magazine,  August/September 2006
The Pastel Artist’s bible, edited by Claire Waite Brown, Quarto Publishing, London, England, 2006.
 "Master Pastellists of the World: United States Showcase"  Pastel Artist’s International Magazine Nov/Dec 99/Jan 2000
"The Artist’s Life" by Carole Katchen,  Artist’s International Magazine, Ap/May2000
"Arbitrary Colors" by Linda Price,   AmericanArtist Magazine  September 1997
Keys to Painting Faces and Figures,  compiled by Rachel Rubin Wolf,  North Light Publication, 1999
Painting with Passion  by Carole Katchen,  North Light Publications,  1994

SELECTED PUBLIC AND PRIVATE COLLECTIONS of K.Polk’s work:

The Greer Garson Theater,   SMU,  Dallas,  Texas
Texas A&M University System  Hirshfeld-Moore House    Austin,  Texas;
 The Kathryn Heard Craig Museum ,   McKinney,  Texas;
Count  and Countess Nostitz of North Carolina and Austria;
Dr. and Mrs.  Malone Hill     Austtin,  Texas;
Mr and Mrs Sanford Gottesman      Austin,  Texas;
Mr and Mrs Philip Keevil of New York and London;
Mr and Mrs.  William Roche of New York and Ireland;
McStay Investment Counsel  of Dallas,  Texas;
Owens Ranches, Inc. of  Texas and New Mexico ;
………………….to name a few 

Saturday, March 31, 2012

Fechin / Gaspar Exhibit in Orange, TX

This post submitted by Dallas member, Beth VanDeventer:
The Secret is Out: Fechin / Gaspar Exhibit in Orange TX
...It might be a long drive, but the inspiration is well worth it
I encourage student and professional portrait painters to consider investing in the cost of a couple of tanks of gas to visit the Stark Museum in Orange Texas to view a unique collection of Nicoli Fechin artwork. Tucked away in the remote town of Orange, a stone throw's away from the Louisiana border is a well kept secret. The exhibit titled "From Russia: Fechin and Gaspard in the Southwest" features at least 57 works of the famed Russian, including oil paintings, drawings and sculptures.  The exhibit also features the artist's work box, brushes and several sculpting tools donated from the artist's daughter Eva.  The collection includes 21 phenomenal portraits (in oil) along with 5 completed head studies, including an outstanding drawing of his father.  

"Head of Young Girl"
(Sculpture) in Pine
The Stark Museum offers free admission and free parking.  The day I went there were only a few visitors with a friendly guard who shared with me that guided tours are available if you call ahead.  The museum hours are 10 to 5 daily, Tuesday through Saturday.  This exhibition will be open through June 2, 2012.  Visitors may take photos of artwork, however no flash photography or tripods are allowed.  
"Fechin's Father" (Drawing)
Note: Curator's note indicates
the frame was made by the artist
 Link to Stark Website:  http://www.starkmuseum.org/Exhibitions/Exhibitions/From-Russia--Fechin-and-Gaspard-in-the-Southwest.aspx

"Nikki Rupert"

"Eya"

"Red Headed Girl"


"Little Girl"